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Bereitschaft

A video installation about TikTok, the cult of the body and fascist aesthetics by Jakob Ganslmeier & Ana Zibelnik.

Ended | 20.08.2025 - 07.09.2025, Boris Romanchenko Hall, Museum of Forced Labor

German Premiere

©Jakob Ganslmeier / Ana Zibelnik

The German sculptor Arno Breker, one of the most prominent artists during the so-called “Third Reich”, created a statue in 1939 entitled “Bereitschaft” (Readiness). It depicts a muscular male body, a warrior drawing a sword, intended to symbolise the German people’s readiness for battle. The statue became a TikTok sensation in 2023, when it trended as the ideal male body image and a symbol of the self-discipline on display in gyms.

In their almost four-metre high video sculpture and the accompanying photographic series Jakob Ganslmeier and Ana Zibelnik examine this glorification of the sculpted male physique as well as its fascist undertones. The projekt illustrates how the radical pursuit of physical perfection goes hand in hand with reactionary tendencies, misogyny and a fascination for militarisation. Even though much of the content available on TikTok appears harmless at first glance, “Bereitschaft” reveals how mainstream visual language is co-opted and influenced by extremism.

Concept & video: Jakob Ganslmeier & Ana Zibelnik
Co-produced by: Paradox
Motion Design: Studio RNDR
Sound: Daniel Hermann-Collini
Co-operation: Museum Zwangsarbeit im Nationalsozialismus, Kunstfest Weimar 2025
Funding: Bundesbeauftragter für Kultur und Medien, Königreich der Niederlande & Siemens Arts Program

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Installation “Bereitschaft” (Readiness) and accompanying photographic series by Ganslmeier/Zibelnik in the Boris Romanchenko Hall, Museum of Forced Labor, August/September 2025 ©Jakob Ganslmeier/Ana Zibelnik
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Installation “Bereitschaft” (Readiness) and accompanying photographic series by Ganslmeier/Zibelnik in the Boris Romanchenko Hall, Museum of Forced Labor, August/September 2025 ©Jakob Ganslmeier/Ana Zibelnik
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Installation “Bereitschaft” (Readiness) and accompanying photographic series by Ganslmeier/Zibelnik in the Boris Romanchenko Hall, Museum of Forced Labor, August/September 2025 ©Jakob Ganslmeier/Ana Zibelnik
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Installation “Bereitschaft” (Readiness) and accompanying photographic series by Ganslmeier/Zibelnik in the Boris Romanchenko Hall, Museum of Forced Labor, August/September 2025 ©Jakob Ganslmeier/Ana Zibelnik
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Installation “Bereitschaft” (Readiness) and accompanying photographic series by Ganslmeier/Zibelnik in the Boris Romanchenko Hall, Museum of Forced Labor, August/September 2025 ©Jakob Ganslmeier/Ana Zibelnik
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Glossary “If a Flower Bloomed in a Dark Room, Would You Trust It?” accompanying the installation “Bereitschaft” (Readiness) by Ganslmeier/Zibelnik in the Boris Romanchenko Hall, Museum of Forced Labor, August/September 2025 ©Jakob Ganslmeier/Ana Zibelnik

Accompanying program

©Luka Pešun

Awareness workshop

For groups of young people and adults

Duration: 90–120 minutes

This participatory workshop raises awareness of the spread of certain role models and misanthropic messages through memes on social media.

©Luka Pešun

Short video workshop

For groups of young people and adults

Duration: 6 hours

This creative workshop (including lunch break) raises awareness of gender roles and Nazi symbolism in pop culture on social media. Participants creatively engage with the analyzed content and coping strategies in short videos they create themselves.

©Jakob Ganslmeier

training course for teachers

On August 28, 2025, 1:30 p.m. – 5:30 p.m.

Meme culture, images of masculinity, misanthropy: Educational approaches to dealing with potential radicalization on the internet.

Offered in cooperation with the Thuringian Institute for Teacher Training, Curriculum Development, and Media (ThILLM).

©onlinetheater.live

Künstlerisch forschende Strategien zur De-Radikalisierung auf Social Media

Für Studierende der Bauhaus-Universität (Lehrveranstaltung) und weitere Interessierte

Zeitraum: 02. - 07. September 2025

Workshop in Kooperation mit Caspar Weimann/onlinetheater.live und Jun. Prof. Dr. Jasmin Degeling/Bauhaus Universität Weimar


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